Carl zeiss jena flektogon 35mm 2.8

CONs:

- - Chromatic aberrations
  - Flaring
  - Slight sharpness falloff in the corners
  - Not the prettiest bokeh
  - Slight lack of contrast
  - Not a forgiving lens

Don’t get me wrong, the Flektogon 2.8 is a great little lens but is has some drawbacks. There are reasons that the 2.8 was discontinued in favor of the faster Flektogon 2.4.

First of all the Flektogon 2.8 can have issues with flaring and chromatic aberrations. The coating used on the 2.8 are inferior to the 2.4, and it shows clearly in a lot of situations. Hard light sources and anything shinny are not the friends of the Flektogon 35 2.8. I would recommend using a lens shade as the front element is pretty exposed.

The lack of contrast can be a bit tedious sometimes. Images turn out rather flat. If you are more into colour photography I would recommend looking into spending a bit more on the newer Flektogon 2.4 35mm.

Another disappointment is the out of focus area. I know that this is totally subjective but I do not particularly like the bokeh of the Flektogon 35 2.8, especially on colour shots. It looks smudgy and loveless. It is rather blurry and not particularly pleasing to the eye. The Flektogon 35 2.4 performs much better when you stop down the lens.

Low light situations can also be tricky. When you shoot inside or at dusk and the light is not perfect, then the Flektogon 35 2.8 really struggles. Which is surprising when you consider that at f2.8 it is not a slow lens. But wide open the lens does not feel at ease. In these situations I would for example rather use a “slower” f3.5 35mm Takumar. Without the right light conditions the Flektogon 35 2.8 images lack clarity. This is where the age of this version of the Flektogon shows.

Overall the Flektogon 35 2.8 is a good and interesting lens but it has a few flaws. I would not recommend this lens to a beginner but rather for a more seasoned vintage glass shooter who wants to diversify the looks in his lens arsenal. It is not the easiest lens to shoot with and results do vary a lot.

PROs:

- - Minimum focusing distance
  - Loads of character
  - Built quality
  - Sharp in the center
  - Good for black and white photography
  - Distortion is not too bad

The Flektogon 35 2.8 is a beautifully made lens, as you would expect from Carl Zeiss Jena. Both the early silver version and the follow up versions are well balanced. Focusing is buttery smooth and aperture settings are easily set. The lenses feel very solid – but also somewhat heavy. Overall the ergonomics are nice and the lens is easy to use.As any Flektogon lens, the minimum focusing distance of the 2.8 version is pretty impressive. The early version has a minimum focusing distance of only “36 cm”, but this was improved to 18cm with the follow up versions. This allows you to get pretty close to your subject.

Image sharpness is pretty remarkable for such an old wide angle lens, at least in the center of the image.

100% crop

The lens manages to capture a lot of details, which is not a given for an old wide angle lens.

There is some falloff and vignetting in the corners. This gives the lens an interesting look, almost film like look. This can be pretty handy for landscape shots for example. If you enjoy landscape photography and want to have some natural vignetting the Flektogon 2.8 will be a lot of fun. On a beautiful, sunny day you will be able to take pretty shots with a lot of character. If you like slight vignetting and softer corners for a distinct vintage look, this lens is for you.

The Flektogon 35mm 2.8 is also pretty good at keeping distortion to a minimum. Distortion does occur but like with most Flektogon lenses, it is not that bad. This makes the Flektogon 35mm 2.8 an affordable wide angle lens for architectural photography.

Since the lens is pretty prone to flaring and all sorts of effects, it is also pretty nice when you do longtime exposures at nighttime to capture light-trails. If you like your lenses to have a slight artistic imperfection, the Flektogon 35mm 2.8 is a good option as it is very versatile and never gets boring.

The Flektogon 35 2.8 comes from a time when black and white photography ruled the world. And for this purpose the 35 2.8 is superb. The somewhat contrast-less images turn out really nicely in black and white.

Carl Zeiss Jena 35 2.8 Versions

The Carl Zeiss Flektogon 35mm 2.8 was designed in 1950 and introduced shortly thereafter. The lens was manufactured for different camera mounts throughout the years. Carl Zeiss Jena also conducted several lens updates and facelifts until the lens production was discontinued in 1976 shortly after the introduction of the Carl Zeiss Jena Flektogon 35mm 2.4.

Made in East Germany
6 elements in 5 groups
Mounts:
- Praktina mount
- Exa / Exakta Mount
- M42

Silver Version

The first version of the Flektogon 35mm 2.8 had a all silver finish. This first version was introduced in 1953 and produced until 1960. Early versions have an aperture scale going from f2.8 to f16 while later versions have f2.8 to f22. The all silver version was manufactured in M42, Praktina (1954-1959) and Exa/Exakta mount. This version as pre-set aperture settings. Aperture setting is click-less.

Aperture scale:
- 2.8 – 16
- 2.8 – 22
Minimum focusing distance: 36mm
Aperture blades: 9

Black leather Focusing ring version

Following the all silver version, the Flektogon 35 2.8 received an update in 1963. The Flektogon now had the leather black focusing ring. Gone was the all silver finish. This new updated version now also had an improved minimum focusing distance of 18mm, enabling you to get even closer to your subject. Instead of 9 aperture blades, all subsequent Flektogon lens types now had 6 aperture blades. The aperture now closed all the way to f 22.