Sigma 50-150mm f/2.8 II EX DC HSM APO User Reviews
6.5/10
average of 4 review(s)
Build Quality
7.3/10
Image Quality
7.5/10
-
9 out of 10 points
and recommendedVery good build quality Manual focus over ride
Just a little corner softnessBought my copy new in 2010 from B&H just before they went out of stock.
Would have liked the Pentax 50 -135mm but that was just too expensive in New Zealand.
Also worried about the reported SDM failure rate with the Pentax.
Unlike the tested copy here, mine is almost perfect at 50mm straight from F2.8 (as good as my Pentax A50 F1.7mm prime).
Progressively softens off towards the top right hand corner as it is zoomed out.
Worst at 150mm but still correctable by stopping down to F8.
From 70mm to 100mm, F5.6 — F6.7 is needed to sharpen up the corner.
However centre sharpness at F2.8 at all zoom lengths is very good, very useable.
CA is minor at all zoom settings and correctable in raw software. (I always shoot raw)
Distortion is also minor and correctable.
Used on 4 different bodies but now lives permanently on a K30 — no focusing issues at all on that body.
Fast, silent, reliable and almost 100% accurate.
I have been very satisfied with this lens. It’s a great street lens.
I agree with Andrews caveat — make sure you have a good copy before you buy.reviewed January 4th, 2015
-
3 out of 10 points
and not recommendedsharp lens, good contrast
Poor quality control — lens keeps breaking downMy copy of this lens (in Canon fit) was let down by a consistent failure of the autofocus motor in the lens. I had to send it back to Sigma twice to be fixed. And I do not use the lens much. They did fix the lens quickly, but I do not expect 2 failures in such an expensive product.
Buyer beware!reviewed May 10th, 2009
(purchased for $700) -
5 out of 10 points
and not recommendedGreat range, easy handling, nice looking build, quick focus.
Very soft from f2.8-f4, never gets tack sharp, lots of CA, not consistant in focus accuracy.I had the highest hopes for this new version of the Sigma 50-150mm HSM II, I really needed the range and a fast f2.8 ability. I guessed i would need to stop the Sigma down at 150mm to get sharpness, put you really have to stop this lens down a lot, at every focal length to get results you can be proud of. Sadly, my Nikon 55-200mm VR starter zoom is sharper at every focal length and every aperture..YES, the Nikon 55-200mm is sharper, focuses about the same speed ( the Nikon, hits the target more often), the Nikon has better contrast and color too…yes, I sent the Sigma back. I was told by 47th street photo on the phone, that they thought the lens was defective. Once the Sigma arrived at 47th street photo they told me their tech tested it and it was «fine without issues». Of course I am still fighting to get me refund from 47th street (I should have purchased from Adorama or B&H!!). Maybe the 50-150mm III will get it right.
I picked up a used Nikon 80-200mm f2.8 ED today, the Nikon looks great stopped down to f3.5 and is built like a tank! Save your time/hassle and just pick up a Nikon zoom in this range…I only wish the Nikon was as light as the Sigma, nothing more.reviewed February 5th, 2009
(purchased for $600) -
9 out of 10 points
and recommendedConvenient size/range/aperture, sharp, nice bokeh, great HSM and build
Uncorrectable color fringing in OOF areas, wish it could focus closerThe lens produces very satisfying sharp images throughout the zoom range. Not quite as bitingly sharp as the 50 1.8, 85 1.8 , and 180 2.8 primes it replaced, but close enough for the convenience of a zoom to win out. I also feel this lens produces nicer bokeh than any of those three (rounded 9-blade aperture anybody?)
My only real issue with the image quality is a type of CA which occurs most noticeably around OOF areas when stopped down, as it is not correctable via normal means. The lens exhibits very little CA in areas which are in focus. There is a bit of vignetting at the long end, but that is easily correctable. Distortion is usually not a significant issue.
The HSM is true ring-type, super quick and quiet. The lens is built very nicely, like a solid block, and both control rings are wide and nicely damped. This is the best manual-focus AF lens I’ve owned.reviewed October 7th, 2008
(purchased for $650)
Reasons to Buy Sigma 50-150mm F2.8 EX DC APO OS HSM Lens
Here we’ve included a summary of the advantages and disadvantages of the Sigma 50-150mm F2.8 EX DC APO OS HSM lens in a list form to help you determine whether it offers the features you need.
PROs
Optical Image Stabilization |
Autofocus |
Distance Scale |
DoF(Depth of Field) Scale |
Hood supplied |
Tripod Collar |
Full-time Manual Focusing |
Internal Focusing |
Fast Aperture at Wide end |
Fast Aperture at Tele end |
Constant f2.8 aperture throughout the range |
9 Diaphragm Blades for Smooth Bokeh |
Report a correction
Buy Sigma 50-150mm F2.8 EX DC OS HSM from or B&H PHOTO
CONs
No Weather Sealing |
Heavy |
Lens Mount
Sigma 50-150mm F2.8 EX DC OS HSM is compatible with cameras that have a Nikon F (DX) lens mount. Some of the latest released cameras that are compatible with the Nikon F (DX) lenses are Nikon D3500, Nikon D7500 and Nikon D5600.
Sigma 50-150mm F2.8 EX DC OS HSM is also available in Canon EF and Sigma SA mounts.
Size, Weight and Filter Thread
Size and weight is a very important decision factor when searching for your next lens. Sigma 50-150mm F2.8 EX DC OS HSM has a maximum diameter of 86mm and total length of 198mm. It weighs 1350g / 47.6 oz.
Sigma 50-150mm F2.8 EX DC OS HSM has a filter thread of 77mm. Below are links to the filters that we recommend you to consider for your Sigma 50-150mm F2.8 EX DC OS HSM:
Optical Image Stabilization
The Sigma 50-150mm F2.8 EX DC OS HSM features an optical image stabilization system which helps to reduce the blur that occurs due to shaking during hand-held shooting.
Zoom Method
Sigma 50-150mm F2.8 EX DC OS HSM features Rotary (internal) zoom method where the length of the lens doesn’t change while you are zooming in or out. Even though this design has a size disadvantage in general compared to extending designs, it has the benefits of better sealing against dust and moisture, no zoom creep and no weight balance shift while zooming.
Maximum Magnification Ratio
Sigma 50-150mm F2.8 EX DC OS HSM has a Max Magnification Ratio of 0.16x and has a minimum focusing distance of 0.8m. 0.16x means that the max magnification ratio is very low and not suitable even for modest close-up shots.
Below are the 3 Telephoto Zoom type Nikon F mount lens alternatives with highest max magnification ratios:
- Sigma 70-300mm F4-5.6 DG: 0.5x — (Compare)
- Sigma 70-300mm F4-5.6 DG: 0.5x — (Compare)
- Tamron 70-210mm F4 Di VC USD: 0.32x — (Compare)
Aperture
Sigma 50-150mm F2.8 EX DC OS HSM is a fixed aperture lens with a constant max aperture of f2.8 from 50mm all the way to the 150mm .
Focal Length | Max Aperture | Min Aperture |
---|---|---|
50mm | F2.8 | F22 |
150mm | F2.8 | F22 |
Optical Formula
Sigma 50-150mm F2.8 EX DC OS HSM’s optical formula consists of 21 elements in 15 groups . Special elements used in this design is 4 SLD glass elements.
Lens Hood
Sigma 50-150mm F2.8 EX DC OS HSM comes with a removable lens hood which is handy to reduce lens flare and glare in your photos.
Popular Comparisons of Sigma 50-150mm F2.8 EX DC OS HSM
Top Alternatives of Sigma 50-150mm F2.8 EX DC OS HSM Lens
Model | Coverage | Weight | Focusing | Street Price | |
---|---|---|---|---|---|
Tokina AT-X Pro 50-135mm f2.8 DX Compare |
APS-C / DX | 845 g / 1.86 lb | AF | ||
Nikon AF-S DX Nikkor 55-200mm f4-5.6G VR II Compare |
APS-C / DX | 335 g / 0.74 lb | AF | ||
Sigma 50-100mm F1.8 DC HSM Art Compare |
APS-C / DX | 1,490 g / 3.28 lb | AF | ||
Sigma 100-400mm F5-6.3 DG OS HSM Compare |
35mm FF | 1,160 g / 2.55 lb | AF | ||
Tamron SP 150-600mm F5-6.3 Di VC USD Compare |
35mm FF | 1,951 g / 4.29 lb | AF | ||
Nikon AF-S DX Nikkor 55-200mm f4-5.6G ED Compare |
APS-C / DX | 255 g / 0.56 lb | AF | ||
Tamron 16-300mm F3.5-6.3 Di II VC PZD Macro Compare |
APS-C / DX | 540 g / 1.19 lb | AF | ||
Nikon AF-S DX Nikkor 55-300mm f4.5-5.6G ED VR Compare |
APS-C / DX | 530 g / 1.17 lb | AF |
Reasons to Buy Sigma 50-150mm F2.8 EX DC APO OS HSM Lens
Here we’ve included a summary of the advantages and disadvantages of the Sigma 50-150mm F2.8 EX DC APO OS HSM lens in a list form to help you determine whether it offers the features you need.
PROs
Optical Image Stabilization |
Autofocus |
Distance Scale |
DoF(Depth of Field) Scale |
Hood supplied |
Tripod Collar |
Full-time Manual Focusing |
Internal Focusing |
Fast Aperture at Wide end |
Fast Aperture at Tele end |
Constant f2.8 aperture throughout the range |
9 Diaphragm Blades for Smooth Bokeh |
Report a correction
Buy Sigma 50-150mm F2.8 EX DC OS HSM from or B&H PHOTO
CONs
No Weather Sealing |
Heavy |
Lens Mount
Sigma 50-150mm F2.8 EX DC OS HSM is compatible with cameras that have a Sigma SA lens mount. Some of the latest released cameras that are compatible with the Sigma SA lenses are Sigma SD1 Merrill, Sigma SD1 and .
Sigma 50-150mm F2.8 EX DC OS HSM is also available in Canon EF and Nikon F (DX) mounts.
Size, Weight and Filter Thread
Size and weight is a very important decision factor when searching for your next lens. Sigma 50-150mm F2.8 EX DC OS HSM has a maximum diameter of 86mm and total length of 198mm. It weighs 1350g / 47.6 oz.
Sigma 50-150mm F2.8 EX DC OS HSM has a filter thread of 77mm. Below are links to the filters that we recommend you to consider for your Sigma 50-150mm F2.8 EX DC OS HSM:
Optical Image Stabilization
The Sigma 50-150mm F2.8 EX DC OS HSM features an optical image stabilization system which helps to reduce the blur that occurs due to shaking during hand-held shooting.
Zoom Method
Sigma 50-150mm F2.8 EX DC OS HSM features Rotary (internal) zoom method where the length of the lens doesn’t change while you are zooming in or out. Even though this design has a size disadvantage in general compared to extending designs, it has the benefits of better sealing against dust and moisture, no zoom creep and no weight balance shift while zooming.
Maximum Magnification Ratio
Sigma 50-150mm F2.8 EX DC OS HSM has a Max Magnification Ratio of 0.16x and has a minimum focusing distance of 0.8m. 0.16x means that the max magnification ratio is very low and not suitable even for modest close-up shots.
Below are the 3 Telephoto Zoom type Sigma SA mount lens alternatives with highest max magnification ratios:
- Sigma 70-300mm F4-5.6 DG: 0.5x — (Compare)
- Sigma 70-300mm F4-5.6 DG: 0.5x — (Compare)
- Sigma 70-200mm F2.8 EX DG HSM II: 0.28x — (Compare)
Aperture
Sigma 50-150mm F2.8 EX DC OS HSM is a fixed aperture lens with a constant max aperture of f2.8 from 50mm all the way to the 150mm .
Focal Length | Max Aperture | Min Aperture |
---|---|---|
50mm | F2.8 | F22 |
150mm | F2.8 | F22 |
Optical Formula
Sigma 50-150mm F2.8 EX DC OS HSM’s optical formula consists of 21 elements in 15 groups . Special elements used in this design is 4 SLD glass elements.
Lens Hood
Sigma 50-150mm F2.8 EX DC OS HSM comes with a removable lens hood which is handy to reduce lens flare and glare in your photos.
Popular Comparisons of Sigma 50-150mm F2.8 EX DC OS HSM
Top Alternatives of Sigma 50-150mm F2.8 EX DC OS HSM Lens
Model | Coverage | Weight | Focusing | Street Price | |
---|---|---|---|---|---|
HD Pentax DA 55-300mm F4.0-5.8 ED WR Compare |
APS-C / DX | 466 g / 1.03 lb | AF | ||
Tokina AT-X Pro 50-135mm f2.8 DX Compare |
APS-C / DX | 845 g / 1.86 lb | AF | ||
Fujinon MK 50-135mm T2.9 Compare |
35mm FF | 980 g / 2.16 lb | MF | ||
Sony FE 100-400mm F4.5-5.6 GM OSS Compare |
35mm FF | 1,395 g / 3.07 lb | AF | ||
Sigma 50-200mm F4-5.6 DC OS HSM Compare |
APS-C / DX | 420 g / 0.92 lb | AF | ||
Sigma 50-100mm F1.8 DC HSM Art Compare |
APS-C / DX | 1,490 g / 3.28 lb | AF | ||
Sigma 85mm F1.4 EX DG HSM Compare |
35mm FF | 725 g / 1.60 lb | AF | ||
Sigma 70-200 F2.8 DG OS HSM S Compare |
35mm FF | 1,805 g / 3.97 lb | AF |
Тема: Tokina 50-135 или Sigma 50-150, Дилема
Ресурс: Club Nikon
Форум: Оптика для фотокамер Nikon
Автор реплики: Букер
Долго раздумывал между сигмой и токиной, изучая графики и статьи. Поскольку пользуюсь сигмой 70-200 2,8 HSM и она не раздражает (на свои 600 евро точно работает), да и скорость АФ имеет большое значение, решил начать с сигмы, то бишь купил её, заодно купил и токину, чтоб сравнивать сразу оба стекла. Тушка Д50
Результаты по сигме:
1. ФФ 10мм, после замены (в другом магазине) опять 12мм ФФ, после второй замены повезло- фокус точный.
2. Картинки на всех сигмах идентичны- очень хорошо при дневном или ярком свете в фокусных от 50 до 120
3. что желтит не беда, правится легко и быстро, но после 120 желтый уходит в коричневый, чуть света становится меньше
4.Быстрый АФ, очень быстрый,но скорость наводки падает прямо пропорционально количеству света. В театре вообще не навёлся
5.мягкий, ближе к длинному концу неприлично мягкий, (при репортаже лицо из толпы не выхватишь)- кому достоинство, а кому недостаток-судите сами.
6.На контровом свете потерял контрастность и насыщенность цвета.
7.В целом объектив понравился, если присобачиться и не требовать лишнего, снимать вполне можно.
Токина: против неё были 135 (хочется больше), отвёртка- на Д50 не ахти какой мощный мотор- сожрёт акк-р,да и скорость фокусировки не ультра, незнакомая фирма- раньше только сигмами-тамронами пользовался, иногда брал родные у знакомых.
После покупки:
1. С первого экзепляра точный фокус.
2. Картинка резкая и абсолютно нейтральная по тону.
3.На 135 софтит, если не рассматривать, а смотреть, то не заметишь.
4.Долго идёт через все фокусные, при небольшой разнице быстр.
5.Резкий, мягче никкора, но резче сигмы
6.На контровом показал себя хорошо, особенно с блендой.
7. Понравился .
В результате оставил токину, потому что:
1. В реальной работе скорость фокусировки почти идентична , при уменьшении света токина просто быстрее и лучше.
2.При сравнении картинки на 135 при прочих одинаковых условиях сигма лучше при идеальном свете, при неидеальном токина однозначно лучше.
3. размытие более плавное на токине, на сигме желтоватые хлопья
4. В байонет токина села как завинченная, сигма люфтила слегка.
Стеклу рад. Немного огорчает неснимаемая лапка для штатива. Да, потерял на длинном конце (по сравнению с 70-200), но 20 на коротком мне оказались важнее чем 50 на
длинном. О потерянных 15 на сигме не жалею, они ратают только на очень хорошем свете, при других условиях просто мазня. Пришлось купить аккумулятор, при подсевшем (даже не до конца) АФ не работает.Сигму 70-200 тоже продал, после токиновской картики перестала устраивать.
Тема: Nikkor 55-200 vs. Sigma 50-150
Ресурс: Club Nikon
Форум: Оптика для фотокамер Nikon
Автор реплики: Theorist
Sigma 50-150 2.8 HSM version 2 (не забывайте о двух версиях этого объектива, 1 версия была с браком, сразу же заменена в продаже 2 версией)
После юстировки (в моем присутствии) расклад по попаданию в фокус стал такой:
50-70 бек 0,8 см
80-120 в тютельку
120-150 фронт 1 см, и конечно этот диапазон чуток мыльнее.
Обективом в целом доволен. Размытие дает приятное, фокусируется мгновенно, капризничает редко. В пользовании очень удобен: очень широкие кольца изменения фокусных и фокусировки. Конструктив — надежный, никаких Тамроновских люфтов и резиновых пасиков приводов мотора(ужас какой). Конечно, это не топ никор, на какие-то % никкор будет где-то резче, где-то точнее, где-то Сигма сжелтит (осебенно при искуственном свете). Но, ощутите разницу в цене. Еще бы, я не отказался от стаба в диапазоне больше 100 мм.
Боке что-то похожее на кругляшки.
Reasons to Buy Sigma 50-150mm F2.8 EX DC APO OS HSM Lens
Here we’ve included a summary of the advantages and disadvantages of the Sigma 50-150mm F2.8 EX DC APO OS HSM lens in a list form to help you determine whether it offers the features you need.
PROs
Optical Image Stabilization |
Autofocus |
Distance Scale |
DoF(Depth of Field) Scale |
Hood supplied |
Tripod Collar |
Full-time Manual Focusing |
Internal Focusing |
Fast Aperture at Wide end |
Fast Aperture at Tele end |
Constant f2.8 aperture throughout the range |
9 Diaphragm Blades for Smooth Bokeh |
Report a correction
Buy Sigma 50-150mm F2.8 EX DC OS HSM from or B&H PHOTO
CONs
No Weather Sealing |
Heavy |
Lens Mount
Sigma 50-150mm F2.8 EX DC OS HSM is compatible with cameras that have a Canon EF lens mount. Some of the latest released cameras that are compatible with the Canon EF lenses are Canon T8i, Canon 90D and Canon SL3.
Sigma 50-150mm F2.8 EX DC OS HSM is also available in Nikon F (DX) and Sigma SA mounts.
Size, Weight and Filter Thread
Size and weight is a very important decision factor when searching for your next lens. Sigma 50-150mm F2.8 EX DC OS HSM has a maximum diameter of 86mm and total length of 198mm. It weighs 1350g / 47.6 oz.
Sigma 50-150mm F2.8 EX DC OS HSM has a filter thread of 77mm. Below are links to the filters that we recommend you to consider for your Sigma 50-150mm F2.8 EX DC OS HSM:
Optical Image Stabilization
The Sigma 50-150mm F2.8 EX DC OS HSM features an optical image stabilization system which helps to reduce the blur that occurs due to shaking during hand-held shooting.
Zoom Method
Sigma 50-150mm F2.8 EX DC OS HSM features Rotary (internal) zoom method where the length of the lens doesn’t change while you are zooming in or out. Even though this design has a size disadvantage in general compared to extending designs, it has the benefits of better sealing against dust and moisture, no zoom creep and no weight balance shift while zooming.
Maximum Magnification Ratio
Sigma 50-150mm F2.8 EX DC OS HSM has a Max Magnification Ratio of 0.16x and has a minimum focusing distance of 0.8m. 0.16x means that the max magnification ratio is very low and not suitable even for modest close-up shots.
Below are the 3 Telephoto Zoom type Canon1 mount lens alternatives with highest max magnification ratios:
- Sigma 70-300mm F4-5.6 DG: 0.5x — (Compare)
- Sigma 70-300mm F4-5.6 DG: 0.5x — (Compare)
- Tamron 70-210mm F4 Di VC USD: 0.32x — (Compare)
Aperture
Sigma 50-150mm F2.8 EX DC OS HSM is a fixed aperture lens with a constant max aperture of f2.8 from 50mm all the way to the 150mm .
Focal Length | Max Aperture | Min Aperture |
---|---|---|
50mm | F2.8 | F22 |
150mm | F2.8 | F22 |
Optical Formula
Sigma 50-150mm F2.8 EX DC OS HSM’s optical formula consists of 21 elements in 15 groups . Special elements used in this design is 4 SLD glass elements.
Lens Hood
Sigma 50-150mm F2.8 EX DC OS HSM comes with a removable lens hood which is handy to reduce lens flare and glare in your photos.
Popular Comparisons of Sigma 50-150mm F2.8 EX DC OS HSM
Top Alternatives of Sigma 50-150mm F2.8 EX DC OS HSM Lens
Model | Coverage | Weight | Focusing | Street Price | |
---|---|---|---|---|---|
Sigma 70-200mm F2.8 EX DG OS HSM Compare |
35mm FF | 1,430 g / 3.15 lb | AF | ||
Tamron 35-150mm F2.8-4 Di VC OSD Compare |
35mm FF | 790 g / 1.74 lb | AF | ||
Tokina AT-X Pro 50-135mm f2.8 DX Compare |
APS-C / DX | 845 g / 1.86 lb | AF | ||
Canon EF 70-200mm f2.8L IS II USM Compare |
35mm FF | 1,490 g / 3.28 lb | AF | ||
Sigma 150-600mm F5-6.3 DG OS HSM C Compare |
35mm FF | 1,930 g / 4.25 lb | AF | ||
Sigma 50-100mm F1.8 DC HSM Art Compare |
APS-C / DX | 1,490 g / 3.28 lb | AF | ||
Canon EF 70-300mm f4-5.6 IS USM Compare |
35mm FF | 630 g / 1.39 lb | AF | ||
Tokina AT-X Pro 50-135mm f2.8 DX Compare |
APS-C / DX | 845 g / 1.86 lb | AF |
Тема:
Ресурс: Club Nikon
Форум: Оптика для фотокамер Nikon
Автор реплики: ghost_stone
Долго присматривался к этому стеклу. даже купил. потестил и вернул. Их есть две версии первая и вторая.
первая версия отличается тем, что у нее на метровой фокусировке всегда бек фокус.
вторая версия отличается тем, что у нее это исправили.
НО.
на моем экземпляре был плавающий бек фокус ( в зависимости от расстояния и фокусного).
попробовал поменят — оказалась что вся партия такая.
полез в инет читать про это стекло — на одном из америкосских сайтов наскочил на тестирование. так вот они заказывали 3 линзы из разных магазинов — все показали стойкий бек фокус… оттакие дела. было жалко — но линзу вернул, взял никкоровскую линзу…
Автор реплики: Владимир Минаев
Ну вот похоже у меня плавающий фронт-фокус. Линза новая, так что, видимо, 2 серия — встречал в инете упоминания именно про фронт у этих объектвов…
На очередном концерте, правда, отработала неплохо, насколько можно судить (маловато получилось снимать по ряду причин) — но там в зале освещение лампами накаливания.
Т.е. + ко всему — нестабильная работа в зависимости от характера источника света… более темный 16-85 на тех же фокусных работает безупречно.